Friday, September 16, 2011

HAGI YAKI (萩焼き )-Ceramics of Yamaguchi Prefecture


There is an old Japanese saying when referring to the best pottery for the tea ceremony: "Ichi-raku, Ni-Hagi, San-Karatsu". First is raku, second Hagi and third Karatsu.

I learned from a friend that rough Hagi clay is called Oni- Hagi (鬼萩) and smooth is called Hime-Hagi (姫萩). Some of each are shown here.

Why the notched foot? 
https://www.hagiyaki-kaikan.com/stories/高台の切り込みは何のため?/


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Generic Hagi Marks
 
上手 急須 土瓶 Uwate kyusu dobin 
萩燒 (燒 is an alternate form for yaki 焼, meaning to bake or for pottery to fire)







****************************************************************


TAHARA TOUBEI  (AKA TAWARA TOUBEI)


                                                       CHIN SHU GAMA (椿秀窯)

       
   
Link:   http://www.hagiyaki.co.jp/kaisha.html
This mottled look is called Gohonde which is a popular style in HAGI ware. 


                                       HAGIDONO GAMA  (萩殿窯)


                        

                                                         HAGI RYUZAN (萩竜山)


     


                                            TENPOZAN ZO 天鵬山造


Tenpozan Kiln  

Vase-Tenpozan 




Hagiyaki tea bowl Gohon glaze



Tenpozan







The master potter is Hirose Tanga.







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JYOZAN-GAMA


Hagi tea cup probably Jouzan-gama  mark




 Box marked Shouraian,  Jyozan Zo 
Cups marked Jyozan


Jozan-gama meoto "couple" teacup
 By Watanabe Jyozan 
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Marked Kasen 華扇

***********************************************************
SHOU-UN



*Hagi Yaki tea bowl by Shoun (祥雲)












*Hara Shoun MARK

Mr. Hara was born in Izumo, made Hagi and Izumo wares, later went to Kyoto, studied Korean pottery. He built a kiln in Uji, Kyoto named Seiwa Gama. Later wares carry the Seiwa Mark (清和).

Here is a box from the same tea bowl. It states Hagi Yaki made by Shoun.



UNMARKED


Okada Yu




       坂髙麗左衛門

               Mukuhara Kashun






















Son of Nōtomi Choun

 


Friday, September 9, 2011

What an undertaking!

When I started my quest to discover the artists, kilns and retailers who made and sold the pieces I have collected little did I know just how many kilns, and artists there were!  Since I have embarked on this project I have learned a lot of vocabulary, kanji characters and possible readings. I find it interesting that Japanese people are not necessarily any farther ahead than I am with reading the marks on the pieces.  Some artists writing reminds me of all the jokes made about the illegibility of doctor's handwriting.  The other factors of multiple readings of a character, as well as the carved "hanko" designs for making the marks on the pottery and the boxes make for a difficult task.  I will continue to share what I am learning and hopefully it will be of some use to my readers. Keep in mind that I am not Japanese and I am involved in a complex learning process!

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