Made in Tottori city, Tottori Prefecture, Ushinoto ware is considered a folk pottery. Though it existed before the Folk “Mingei” movement, the kilns were highly influenced by the movement. Probably the most well known aspect of Ushinoto is the plate separated in two or three parts using bluish green and black or a bluish green, black and creamy white. They do make many other styles as well. Apparently the style originated back in the Edo period. When Dr. Yoshida Shoya showed the old designs to Yanagi Soetsu who gave his opinion on the best of the designs. It is now produced by two kilns, the Ushinoto kiln headed by Mr. Kobayashi and the Nankai Inshu kiln headed by Mr. Sakamoto. I’m very thankful for the help of Alice Gordenker for the pictures and information concerning this style.
You are invited to come along with me as I learn about Japanese ceramics. I will share what I learn about the kilns, history, terminology, potters, decorators, styles, and marks. This is a work in progress. ** NOTICE: I DO NOT ANSWER QUERIES ON PERSONAL PIECES. I DO NOT GIVE VALUATIONS. General comments and questions will still be accepted.
Friday, March 31, 2023
Monday, March 20, 2023
Yūmachi Yaki 湯町焼-Ceramics of Shimane Prefecture
This type of ware is highly influenced by the Mingei Movement. The clay tends to be reddish and the glazes can be yellow, cream, brown and some blues. Leach style slip ware is common as is the influence of Mashiko potters like Hamada Shōji. There is some influence of the Koishiwara/Onta style of tobigana chattering in some. As with many Mingei potters the wares of the Yūmachi kiln go unmarked.
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