Books and Catalogs on Chinese and Korean Ceramics

To understand and appreciate more fully Japanese ceramics, one must also know a little bit about both Chinese and Korean ceramics.

CHINESE 

1. Christie's Pictorial History of Chinese Ceramics by Anthony du Boulay (1984) 319 pgs

2. Chinese Export Porcelain for the American Trade 1785-1835 by Jean McLure Mudge (1981)

3. Masterpieces of Chinese Export Porcelain from the Mottahedeh Collection in the Virginia Museum by             David Howard and John Ayers (1981) 80 pgs

4. Masterworks of Chinese Porcelain in the National Palace Museum (1970) 110 pgs

5. Chinese Pottery and Porcelain by R.L. Hobson (1976) 326 pgs

6. Southeby's Fine Chinese & Works of Art New York 23 March 2011

7. Doyle New York, Asian Works of Art Monday March 21, 2011

8. Chinese Porcelain for the Japanese Market Ko-sometsuke Jorge Welsh (2013)

9. Tang Ceramics Changsha Kilns by Timothy See-Yiu Lam  (1990)

KOREAN

1. Korean Arts of the Eighteenth Century: Spendor & Simplicity (1993) 240 pgs

2. The World of Korean Ceramics by Jon Carter Covell and Alan Covell (1986) 128 pgs

The "Emon's" of Arita (エ門/衛門)

WORK IN PROGRESS********

Saga Prefecture and Nagasaki Prefecture on the island of Kyushu are known for their ceramics. Many have come to fall under the Arita umbrella of ceramic wares.  Among these many styles of ceramics one will find all sorts of potter names/ and or kilns ending with "emon". It can be quite confusing to both Japanese and foreigners alike.

I will attempt to sort some of them out. *Arita, +Imari, #Hasami, ^Mikawachi/Hirado

The Big Three

*Genemon 源右衛門

*Imaemon 今右衛門

*Kakiemon 柿右衛門

Kakiemon XIII

Others

Eizaemon (Fukagawa- founder of Koransha)

*Enzaemon 円左エ門   http://aritayaki.jp/kamamoto/enzaemongama.html

*Fukuemon 福右衛門 

*Fumiemon ? 文右エ門

*Kazan ? Kazuemon 華山萬右衛門 http://www.aritayaki-shop.com/kz.html

*Kin'emon Toen 金右エ門陶苑

*Koemon 幸右エ門

+Kokuemon 国右エ門

*Nishiyama Tokuemon 西山徳右エ門

*Shinemon 

*Shouemon 勝右エ門

*Shoemon 松右エ門

Shunemon 俊右衛門 (Okugawa Shunemon)

+Tohemon 藤右衛門 http://www.toh-emon.com/

*Tomiemon 富右エ門

*Yazaemon 弥右衛門

Additional notes of Interest:

Koransha was established by another "emon", 8th Fukagawa Eizaemon in 1879.

Going Topless-It is not what you think!

I come upon many tops, and I come across many things with missing tops. The sad part is they do not match. I have found that a grouping of tops can make a lovely display. Here are some of mine. They are from different time periods and a couple may be Chinese.

Seyei China (セーエー陶器) Porcelain of Aichi Prefecture

Seyei Fine China is made in Seto City, Aichi Prefecture JAPAN. The Seto area produces much of the tableware for JAPAN, in fact the Japanese sometimes refer to tableware as Setomono, or things from Seto.

This is from a mail order catalog dated 1962-1963  (from the collection of P. Rodriguez)

This lovely display plate has the work of Saneatsu Mushanokoji. He was a poet, painter and novelist who lived from 1885-1976. This plate is considered "Showa Retro" so was probably made in 1960's or 1970's. The translated poem goes:

                                                     "From this road

                                              There is no road I can go

                                                      I walk this road"

1971 Advertisment

Seyei Nagoya

Page from the 1968 catalog

HASHIOKI (chop stick rests)

HASHIOKI are chopstick rests. They make a table setting a bit more formal. They come in all shapes and sizes. They can be made plain, ornate or fanciful. They can be made in ceramic, lacquer, wood or washi paper.

                    

               Top: Five little roosters

           Bottom:  The always popular "Maneki neko" is portrayed here as peas in a pod.

                I love this set. It is fanciful.

                       

         

                                    These are Koda YAKI by the Agano Kiln.  

         

FUKIZUMI (吹墨)

FUKIZUMI is a spray ink technique.

A link:

http://www5b.biglobe.ne.jp/~hayakaen/Newplan07-08.htm

Lithophane Geisha Ware

                           

This little cup has KUTANI style painting. The Geisha head is quite clear. This is a good quality one even though it is unmarked. Many of this style were made in Nagoya area factories.

Sake cup with dragon motif and lithophane

"SNAKE'S EYE" FOOT (蛇の目高台)

From the mid 1700's through the Meiji period plates, bowls and especially "soba choko" were made with the snake's eye foot known as "Jya no me Kodai" (蛇の目高台). Although this style of foot declined after the early 20th century, it was still used through the war to some extent. There are even some still made especially modern soba choko.

                         

Soba Choko from Meiji period

TRANSFER WARE or Inban (印判)

There are various forms of transfer ware. Stencils (katagami) were used from the Edo period. Copper plate (Doban) was begun 1887 in Hizen. There were other techniques used as well. Konnyaku inban gave a very soft blurry design. 

https://sites.google.com/site/bandwresearch/home/imbande/printing-technique

Transfer print types

1. Konnyaku Inban *used since the middle of the Edo period. (Stamp). **not common these days.

2. Dohantensha (etch) *used from Meiji period

3. Katagamisurie (stencil/pattern) *used from Mid Edo period. 

*screen print transfers are called screen insatsu スクリーン印刷.  

http://www5b.biglobe.ne.jp/~hayakaen/SometukeKiji/kiji-inban/Kiji-inban1p.htm  

http://www5b.biglobe.ne.jp/~hayakaen/SometukeKiji/kiji-inban/Kiji-inban2p.htm  

http://www5b.biglobe.ne.jp/~hayakaen/SometukeKiji/kiji-inban/Kiji-inban3p.htm

                                   

These are small plates (11cm) called kozara (小皿) or mamezara (豆皿). These were made in abundance late Meiji and early Taisho eras. These are Seto yaki.

                                     

These are medium sized plates (11cm and 15.5cm) from the Meiji era. They are Seto yaki. They show obvious transfer flaws, which are quite common in this era.

Seto Yaki Phoenix design plate Dai Nippon

The mark is Sho 正 with a roof over it. 

                           Small plate (kozara) 

                                          Sake cups 

Early Meiji era katagamisurie

FUKAGAWA SEIJI, KORANSHA, SEIJI KAISHA

There is a lot of confusion on the various marks used by the Fukagawa Seiji and Koransha companies over the years. When you check out the various auction sites you will find many fairly modern pieces being sold as Antiques. Some Koransha items are seen advertised as Fukagawa and visa versa. One must know their stuff if they decide to purchase items on these sites. Seiji Kaisha was also an off shoot of the original Koransha company.

I am building a collection of marks with their general time periods. It is a work in progress.  

I am thankful for the book "Meiji Arita..." for help with additional marks of the Meiji period.

Both Fukagawa Seiji and Koransha were established by the Fukagawa Family (with others) and they have held the leadership in both companies throughout. Seiji Kaisha is interwoven in the mix as well, having been established by Koransha people (which lasted about twenty years).

The Fukagawa family made ceramics for generations but in 1879 they established Koransha. After the death of the father in 1889, the second son began Fukagawa Seiji in 1894. Obviously the companies are intertwined as they are both headed by Fukagawa descendants.

Here are some helpful sites for both Koransha and Fukagawa Seiji  (some English, some in Japanese with great pictures):

https://www.koransha.co.jp/koransha/koransha_mei.html

http://www.koransha.co.jp/koransha/koransha_english.html

http://www.fukagawa-seiji.co.jp/cotp/forenglish.html

http://www.fukagawa-seiji.co.jp/archive/index.php

http://www.ac.cyberhome.ne.jp/~momochi-linden/aaa.html 

This one is in Japanese but has some Fukagawa and Koransha marks ranging from late Meiji to early Showa period.

http://home.h00.itscom.net/shiokawa/japaneseporcelain.html

                                                                  MARKS

I will break the marks down by decade as a general rule, but keep in mind that there will be overlap as Fukagawa/ Koransha did not start and stop marks by decade. Some marks continued for decades. 

Circa1860's

           Hichozan Fukagawa Sei c. 1868-1870

Circa 1870's

Circa 1880's

        

Circa 1890's

Lesser quality ware sold after the close of the company

         Seiji Kaisha 1879-1897 ( the Seiji Kaisha mark was used for several years after the close of the company). The lesser quality wares were decorated after the close of the company by former workers and others who used the Seiji a Kaisha mark. Trademark laws were not created at that time. Marked blanks were later decorated and sold by others. 

Sharon Meredith provided the pictures of this wonderful Koransha plate. The "Fukagawa Zo" mark was used in the latter Meiji period before Fukagawa Seiji broke off from Koransha. I place it in the 1890's because according to the Koransha website the "Fukagawa Zo" mark was used before the break up in 1894, however it possible that it was made in the mid to late 1880's as there is a somewhat similar plate in red under 1880's in the archives of the Koransha site. 

  Fukagawa Mark believed used from the mid 1890's through first quarter of the 20th Century

    Circa 1900's-1920

 This Dai Nippon Arita Fukagawa Sei Mark is listed under Meiji era in the Fukagawa archives. 

                       C. 1900-1910

     

      Circa 1920's

According to the Koransha company website this mark was from the early Showa Period 1926~

      Circa 1930's

       This Koransha vase is believed to be circa 1930's

Pre war

Pre war

      Circa 1940's

1941

During the war years production continued domestically to some extent under government control, but there were no exports.

      Circa 1950's/1960's

       Used on dinner ware for foreign markets

                               

                      

                          Koransha   (*continues)

      Circa 1970's~

Fukagawa, Kanyo Sometsuke. Nancy N. Schiffer's book Imari, Satsuma and Other Japanese Export Ceramics 1997 puts this mark at 1977, design by Iwao Fukagawa.

This is Fukagawa, marked Kanyo sometsuke 官窯染付

     

KORANSHA

      From 1975~

Circa 1980~

             Fukagawa

Fukagawa Iroe Saiji Mark from latter part of 20th Century (c.1980's)

                         

Modern Fukagawa mark with red "double happiness" mark on inside lid. 

  

         Current Fukagawa Mark

I saw this at an antique shop in Japan. The shopkeeper was quite sure it was old Fukagawa from before the war. I had serious doubts about that even though some of the decoration gave an old style impression. After googling for a while it was quite evident to me that this piece was quite modern, no earlier than the 1980’s and likely later than that. I saw some boxes with barcodes! That would put it near the end of the 20th. It is possible that the old style design was part of a new product line. I saw sake sets, tea sets, wine cups, lidded rice bowls and more with this same motif. I’ll try to check into it more. In any case it is quite a striking piece with the contrast between the orange and the blue /white, finished off with the gold cranes.

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                                             ******************************************

2015 Store Fukuoka Daimaru Display

Also see:  http://www.meiji-imari.com/en/meijiimari_en/meijiimari03.html

http://www.fukagawa-seiji.co.jp/archive/index.php

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Current design Koransha set of five dishes

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2019 Visit to the Fukagawa Main Store in Arita

Hizen Arita Sarayama